Six-figure crowds and moments the audience never forgets. PK systems grew up on festival main stages. Robotic arrays that re-aim in real time, keeping every fan inside the moment — from the front to the back.
The Warped Tour revival came back at full sprint in 2026: one main stage, two days and 32 bands. Changeovers measured in minutes. Punk-rock pacing with broadcast expectations.
Robotic coverage held every set — pop-punk to hardcore — locked on the crowd from the first band to the last. Boys Like Girls’ FOH put it best: “Drum transients wrap around you almost like they’re giving you a big hug.”
Insomniac’s sold-out trance flagship put PK on three stages at the Queen Mary Waterfront with BNE Productions.
Multi-axis robotics carved each stage’s coverage onto its own crowd — full impact inside the rail, minimal spill into the neighbouring stages and the public areas beyond.
The Village is where the robotic line source story began — the stage PK grew up on, and the one founder & CEO Jeremy Bridge still co-directs.
“PK Sound has been central to The Village for two decades and is a huge draw for the artists performing the stage and the passionate fans packed in front of it,” says co-director Eroca Colins. “I can say confidently that it was the best-sounding production we’ve ever delivered.”
Reflective vinyl walls and a long, narrow floor. With BNE and PdB Sonic Design, 10 T10 per side and cardioid columns of T218 were tapered and steered down the length of the Yuma tent — energy on the dance floor, not the walls.
Promoter Kobi Danan’s verdict: “There were a lot of compliments on the sound this year — and that’s rare.”
Excision’s dinosaur-themed flagship flew the largest PK system ever assembled at the time: 104 Trinity across paired 14-box mains and 8-box delays, a 200-foot sub wall, and six sound camps running day and night.
Crowd depths passed 1,000 ft. and 35,000 fans got the same show — with minimal noise complaints from nearby residents.
Dierks Bentley’s Colorado festival plays a valley where the air itself is thinner — diminished pressure that punishes ordinary drivers. 12 Trinity Black over 12 G218 per side carried the main stage, with T10s covering the second and Beach stages.
Working livestock farms sat under 800 feet from the fence line; robotic pattern control kept 12,000 fans covered and the neighbours – and their livestock – unbothered.
bassPOD was Trinity Black’s first international show, back in 2015 — and the partnership never stopped. By 2026, PK had powered five of EDC’s nine stages, main stage included, with more than 600 loudspeakers for 300,000 fans.
Insomniac’s flagship keeps festival sound honest through heat, wind, dust — and the loudest crowd in EDM.
Excision’s headbanger homecoming plays one of the most beautiful — and acoustically challenging — venues on earth. Logic Systems’ main stage deployment flew 18 Trinity Black over three T10 per side, 16 flown T218 per side, and a 52-box sub wall: 202 PK modules in all.
The Gorge’s asymmetric, vertically extreme bowl was addressed in the air — arrays articulated to the terrain with subs that, in the A1’s words, “absolutely stomp.”
“Nothing beats walking the site and really listening to your coverage while making real-time changes to ensure you’re hitting everywhere you need.”
FRONT of HOUSE Magazine goes behind the scenes of the Trinity Black deployment that kept South Of Heaven loud for the fans and quiet for the neighbours in…
PK Sound robotic systems anchored five of the six unique stages at the 2026 edition of Shambhala Music Festival, continuing one of the longest-running…
Trinity Black robotic systems from Logic Systems anchored the main VANS and Off the Wall stages at Vans Warped Tour 2026 in Washington, D.C. and Long…
Four rooms, two continents — Calgary, Buggenhout, Barcelona, and Colchester. Bring your drawings.
