Product launches, conferences, brand activations, and civic celebrations – rooms full of glass, marble, and important people. PK steers energy onto the audience and off the architecture so every word lands.
Basketball’s biggest showcase fills a football stadium with superstars, live music, and sheer excitement for live broadcast. PK’s robotic line source shaped coverage onto the seating, tier by tier.
Vertical splay at 0.1° and per-module horizontal control let the system follow the architecture instead of washing the reflective surfaces – event-scale energy with broadcast-grade separation.
WWE’s headquarters throws press conferences and parties into a four-storey atrium of glass and LED screens. OSA flew eight T10 above the giant LED wall on a custom rigging solution, with a hidden column of three T218 behind it.
Coverage flips in software – symmetric for ground-floor town halls, asymmetric to pick up the balconies – while keeping energy off the LED fascias and glazing. “Like night and day,” says WWE’s VP of Studio Operations.
For a total solar eclipse, Logic Systems ringed Carbondale Field with 13 ground-stacked columns of four T10 over two T218 – halftime-show configuration, broadcast-grade standards, NASA and the Governor of Illinois in attendance.
Per-module dispersion was tuned for speech first, so the science commentary stayed crystal clear right up to the moment the sky went dark.
Between sessions at Spa-Francorchamps, the Grand Prix becomes a festival – headline DJs on the F1 Stage for fans who spent the day with race cars at full song. PK arrays carried the show with the pattern control to keep music on the crowd in a wide-open paddock environment.
Robotic coverage shaped in real-time to cover the gathered crowd, not the entire site.
Italian live-to-broadcast productions – Canale 5’s Io Canto Family among them – need full PA energy for the studio audience without a trace on the broadcast mics. Backstage PA carries 32 T8 and 20 T18 across its live-to-broadcast inventory.
Robotic directivity steers energy onto the seats and away from the stage, so the television mix stays clean while the room gets a show.
Barcelona threw its grand boulevard a 200th birthday concert – 10,000 people between Modernist façades. Trinity Black mains at a 60° horizontal kept the music on the boulevard and off the architecture.
Delay stations reached 230 metres down the promenade, so the last block heard the same show as the stage.
“Our PK Sound solution is configured to keep acoustic energy off reflective surfaces and focus it only where people are gathered, and the results are truly phenomenal. Our first press conference with the new system was like night and day.”
A T8 robotic system from The Shop Productions met the dynamic needs of the 2026 Ray of Light Awards in Ibiza's historic Dalt Vila, adapting coverage…
The World Wrestling Entertainment (WWE) brand is a global behemoth, beloved by loyal fans in over one billion households throughout 180 countries.
BNE Productions provided a T10 robotic system for Diplo's HonkyTonk at Stagecoach for festival presenters Goldenvoice, keeping the dancehall bumping…
Four rooms, two continents – Calgary, Buggenhout, Barcelona, and Colchester. Bring your drawings.
